The icon that I chose to compare to the novel Metamorphosis, by Franz Kafka, was variegated in 1937 by Salvatore Dali. Dali is an established Surrealist painter, who, like Kafka, explored his own imagination and dreams in his work. Dali invented a process, called the paranoiac critical method, which is used in this painting, to act up his creative process. As Dali described it, his aim in painting was to materialize the images of concrete unreason with the most imperialist exasperation of precision...in order that the man of imagination and of concrete irrationality may be as objective glassively evident...as that of the exterior world of phenomenal reality.1 The rich landscape, seems to be limitless in concomitant. Dali rendered either detail of this landscape with precise accuracy, striving to make his paintings as lifelike as possible. Â Â Â Â Â Â Â Â In Greek mythology, Narcissus was a lovely five-year-old youth, who fell in love with his own reflection, and then drowned date trying to embrace himself. His body was never recovered, but a flower, which was named after him was. The left side of this painting shows the kneeling Narcissus, cogitation by the craggy rocks of what could only be Cape Creuss.
On the right side of the painting, the scene has morphed into a more stark(a) and classical scene, in which the kneeling Narcissus has become the statue of a hand, shoes a cracked egg, from which emerges The Narcissus flower. Â Â Â Â Â Â Â Â This painting reminded me of the runner chapter of Metamorphosis, where the main character, Gregor Samsa, starting tim e realizes that he is confronted with a ludi! crous fate in the spue of a gigantic insect. In both Kafkas and Dalis work, I rule that they both implement a certain receding technique. Dali tends to put an object (In this case, Narcissus) In the foreground, and the background of... If you want to get a comprehend essay, order it on our website:
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